So, ladies and gentlemen, I was shortlisted for The ANA Prize for Children’s Literature for my book, Once upon a village tale! Yaaaaaay! The book is a collection of stories tied together by a running thread which is a father telling children these tales on a village night. The idea is to capture in book form some of the stories that I had been told as a child. We are growing so fast we have forgotten some of those fine tales which helped us grow. Those told us by our fathers and mothers. You should work towards getting one soon. I had so much fun working on it, since I got to sing and dance while ensuring the songs and stories inside would be lively enough to read to my target audience – children and those young at heart, everyone who wants to keep a piece of our culture.
The ANA 2017 Literary Prize Winners were announced by one of the judges, Dr. Owojecho Omoha of the University of Abuja at the ANA Convention awards dinner on Saturday 28th October, 2017 held at Royal Choice Inn, Makurdi, Benue State. Only three categories (Drama, Poetry and Prose) were awarded out of the six contestable ANA Literary Prizes. The judges did not find any work worthy enough to merit the ANA/Maria Ajima Prize for Literary Prizes, ANA/Abubakar Gimba Prize for Fiction (Short Stories Collection), and ANA Children’s Literature Prize (for ages 7-13 years). However, an ‘Honourary Mentions’ list (for commendable works not strong enough to merit the award but worth mentioning) were announced alongside the shortlist release in September 2017.
ANA 2017 LITERARY PRIZES WINNERS
ANA Prize for Drama
Winner: Magnetism by R. C. Ofodile
1st Runner Up: The Masked Crown by Tunji Ajibade
2nd Runner Up: General Ologbosere by Dickson Ekhaguere
ANA Prize for Poetry
Winner: For Every Homeland by Obari Gomba
1st Runner Up: Of Waters and the Wild by Ebi Yeibo
2nd Runner Up: A Child of Smell by Seyi Adigun
ANA Prize for Prose Fiction
Joint Winners: Across the Gulf by Dul Johnson
What It Takes by Lola Akande
1st Runner Up: Devil’s Pawn by Kukogho Iruesiri Samson
2nd Runner Up: Goodbye Tomorrow by Ike Utuagha
The Honourary Mentions and their categories as announced in the list released in September are:
ANA /ABUBAKAR GIMBA PRIZE FOR SHORT STORIES
• A Tiny Place Called Happiness by Bura-Bari Nwilo
• Gates of Dawn by MSC Okolo
• Tales From Our Past by Lucky James.
ANA CHILDREN’S LITERATURE PRIZE
• The Adventure of Three Wild Boys by Wale Adewale
• Sodality: A Tale of Friendship by Chioma A Diru
• Dancing Tree by Stanley Okeke Oji
ANA/MARIA AJIMA PRIZE FOR LITERARY CRITICISM
• ‘Radical Theatre and Criticism of anti-People’s Culture: A Study of Esiaba Irobi’s Hangmen also Die’ by Nwagbo Pat -Obi
• ‘Vicarious Idiosyncrasies: The Mother-Daughter Ligament in Ernest Emenyonu’s Listen, My Momma Pays Your Taxes’ by Fynest Elvis
ANA 2017 LITERARY PRIZES JUDGES
1. Prof. Nelson Fashina – University of Ibadan
2. Salihu Mohammed Bappa- Ahmadu Bello University, Zaria
3. Dr. Ismaila Bala Garba – Bayero University, Kano
4. Dr Owojecho Omoha- University of Abuja
5. Dame Joan Oji – Educational & Literary Consultant, Abuja
For a detailed review of the 2017 Literary Prizes Shortlist, check here.
The Association of Nigerian Authors (ANA) literary prize in any category is a notable prize looked forward to by almost every Nigerian writer. While there have been quarrels over quality, judgments and things of the like – as with other prizes, it has remained one of the most prestigious prizes in the country. The judges of the Association of Nigerian Authors just released the shortlist for the 2017 ANA Prizes. It is an interesting list featuring past winners, shortlisters and some literary heavy weights for the award. It seems a reunion of sorts and a fight, particularly in the three broad genres of literature: poetry, prose and drama.
In the poetry category are Obari Gomba, Ebi Yeibo, Seyi Adigun and Patrick Oguejiofor. Obari Gomba and Ebi Yeibo, both academics, are previous winners. Gomba who was shortlisted for his For Every Homeland won the coveted award last year while Ebi Yeibo, shortlisted for Of Waters and the Wild shared the joint prize for the ANA Poetry award in 2014 with Su’eddie Vershima Agema (me). Gomba and Yeibo were also nominated for the NLNG Longlist earlier this year. Seyi Adigun, a medical doctor, is a past Chairman of the Abuja chapter of ANA. He was shortlisted for his A Child of Smell. Patrick Oguejiofor is a notable community champion whose voice has been heard on several topical developmental, political and economic issues. This time, he throws his might in the poetry ring daring the other ANA heavyweights with his new collection themed on the Maiduguri madness through Maiduguri Requiems.
The prose section has some notable names, Dul Johnson, Kukogho Iruesiri and Lola Akande. Dul is professor of Literature at Bingham University whose shortlisted work, Across the Gulf was published by SEVHAGE earlier in the year. His novel is a bridge between thriller and literary fiction. It dwells on some aspects of the Biafran war and its aftermaths, with a view of how it affected the destinies of some families. It is a fine story packaged to fine quality with a memorable cover. Professor Dul was shortlisted for the ANA Drama Prize in 2014 with his play, Melancholia – also published by SEVHAGE. Kukogho Iruesiri, who is a literary promoter of note is founder and publisher at Words Rhythm and Rhymes (WRR). He has earned some credits as a poet. Kukogho, more known as Kukogho Iruesiri Samson (KIS) entered his engaging unpublished manuscript, The Devil’s Pawn which is made up of about 50 episodes of thriller material he had previously blogged. Lola Akande, shortlisted for What it Takes, is a lecturer at the University of Lagos, who started writing seriously in 2009 after defending her PhD thesis. The fourth prose award nominee, the relatively unknown Ike Utuagha, made the shortlist with his book, Goodbye Tomorrow.
The drama category has Tunji Ajibade, shortlisted for his The Masked Crown, who won the prize in 2014. He narrowly missed the award in 2015 when he was shortlisted and came first runner up like RC Ofodile shortlisted in 2016. Notably, Ofodile won the ANA/Abubakar Gimba Prize for Short Stories in 2016. Ajibade’s plays largely explore history with a twist. He is known to employ narrative licenses to bend events of reality to conform with the ideas of his mind to get expected results. The two other shortlisted writers for the drama prize, which is usually not so hotly contested with limited entries are Solomon Iguanre with Oh Obedeki, Dickson Ekhaguere with General Ologbosere and Jerry Alagbaoso with his Tony wants to marry.
The ANA/Abubakar Gimba Prize will not be awarded this year as the judges found the entries only worthy enough to be honourable mentions. Bura-Bari Nwilo, whose Tiny Place Called Happiness, has made the rounds was a name some people might have expected to clinch the prize…
Like in previous years, the ANA/Maria Ajima Prize for Literary Criticism is also not going to be awarded as the entries seem not to have been impressive enough for the judges – or maybe, not enough entries were received. Nwagbo Pat-Obi who was honourably mentioned last year is honourably mentioned this year again alongside Fynest Elvis. In the end, one has to wonder at the level of scholarship and criticism in the country if year in, year out, no award can be given for literary criticism. Could it be because the needed was not available or that the available was not what was needed?
The final category, the ANA Children’s Literature Prize is also not for grabs this year as there are only honourable mentions for this category too. Thus, Wale Adewale, Chioma A. Diru and Stanley Okeke Oji will have to hope that there will be an honourable certificate for the effort. Yes, maybe honourable pictures too, as one of the three whispered to me.
(The full announcement for the list can be found here…)
So, who wins the coveted 2017 ANA Prize for the Prose, Poetry and Drama? Will the honourably mentioned have a certificate or at least, a handshake? We will all have to wait for the awards dinner of the 36th International Annual Convention of ANA coming up on Saturday 28th October, 2017 in Makurdi, Benue State.
Su’eddie Vershima Agema, editor and development worker, won the 2014 ANA Prize for Poetry in addition to being shortlisted and longlisted on different occasions in other categories of the competition. He can be reached at email@example.com, @sueddieagema on Twitter and Instagram.
Nigeria’s Nobel Laureate, Professor Wole Soyinka has postponed his visit to Benue for a reading and to see flood victims. The visit to Benue was scheduled for 12th and 13th of September, 2017. The laureate has been forced to reschedule his visit to a future date to circumstances beyond his control.
The Association of Nigerian Authors (Benue State Chapter) announced this, rising from a meeting of its Local Organising Committee for the National Annual Convention in Makurdi, yesterday, 11th September 2017.
The Chapter regrets the postponement and has promised to keep members of the public abreast of any related information in this regard.
Relatedly, members of the National Executive, led by Mallam Denja Abdullahi have arrived Makurdi for a pre-convention visit as well as other state activities.
I once learnt that the title to a piece of work is like an abstract, letting the consumer in on what the work is about. My head is still dancing around how the idea was begat that the title of this documentary should have anything to do with ‘dancing mask.’ Whoever thought up the idea it doesn’t matter, even if it is adapted from the words of the master himself, C. Achebe, in ‘The world is a Mask dancing. If you want to see it well, you do not stand in one place.’ But what can I say? The documentary is about an association with the name ‘Nigeria’ in it; a name itself that has been on a journey like that of a ‘dancing mask’ trying to understand itself. Either way, ANA – Association of Nigerian Authors – in its long years has decided to tell its story, and Dancing Mask: The ANA Story, a 54 minutes documentary straight out of Box Office Studios, directed by Tee Jay Dan (Mr Tukura), helps us see it, not standing in one place at all, thankfully.
Few seconds after 0:00 the story begins. Prof. Olu Obafemi starts it. The storytelling is batoned to Kole Omotoso, then to Mabel Segun, first generation writer, and then to Wale Okediran. The passing of the baton by the quartet is accomplished with such charm that the story flows, as if premeditated, from one narrator, or interviewee, to another. A technique the director will rely on for the rest of the documentary. It is perfect. The quartet handle the storytelling taking up to a quarter of the 54 minutes before other players, counting up to twenty-one (not specific), come in, prominent amongst them, Denja Abdullahi (ANA President 2015 – 17). Quite a number to tell ANA’s story in all its 30 years of existence; yet it is done leaving out almost nothing, apparently, if you ask. But this task – getting the story, putting the backstage work together, editing and all, to show that JohnBull is a speller of his name, relies largely on the intelligence of the director, to pull it off.
As it runs through the pages of Nigerian literature about the earlier times that a story cannot be told without the interruption of the military and their accompanying martial music so is ANA’s, formerly SONA (Society of Nigerian Authors), rattled at its birth by the coup of 1966. And martial music, too, interrupts the documentary’s soundtrack just when the narration of ANA’s story begins. This soundtrack effect is repeated at 10:25 as the story of Ken Saro Wiwa is told, and heightened at 11:49 towards a short rendition of the Ogoni struggle and demonstrations. Many things begin to come to light as the minutes read.
No minute wasted, The ANA Story (I decide to use only the subtitle of the documentary for our convenience) is unfolded. Those who have been in the Association long enough – your quartet – take the viewers (or now, listeners) to the history, the motivations, the spirit and the come about of ANA. They share their experiences too, which like a memoir, arrest the viewer, so that even only at the eighteenth minute before the introduction of new narrators the documentary will seem to have lasted for hours because of the weight of story covered, an element of compression deftly handled by the directing. (This is maintained throughout.) As this goes on, pictures, which narrate faster, lend subtextual and complementary consolidation to the documentary like some sort of album art, playing on the screen at intervals. For instance, a good number of book cover images are used to back-up where a narrator mentions the works of writers who had written out of ‘psychological distress,’ about dictatorship in their time, civil unrest, the Biafra War, and such. Same thing with the introduction of Mamman Vatsa, military General, whose literary history has almost been annihilated from our memory, an image displays beautiful lines of poetry (his’) hardly found today.
But with every good thing there are spoilers. The ANA Story begins to lose its mirth when it kindly left its more inspiring history of the eighties up to early 2000s and begins to brag about achievements in the years 2011 upfront. About its Teen Authorship Scheme at about 31:00; NWS (Nigerian Writers’ Series); Denja Abdullahi, becoming too sell-speak in his remarks about the strides of ANA, talking about how ANA ‘touched the grassroots’ and ‘carried the whole country along,’ reminding you of the pain of listening to our politicians speak. As if to continue with the spoiling an interviewee tells us about when she won the Best Literature Award in Africa (38:00) and you begin to think of coloured Sergeant Bombay.
In The ANA Story like its proverbial mother, Nigeria, it comes to light or officially known that it has bore the woes of experiment, sharing the pains of the limbo its mother is in. It has been suffering from lack of funds; ANA has no staff and no asset, per se; it has no secretariat; sometime in its past one of its president with a ‘sober’ hand had to curtail its excesses and ‘amorphous activities’; it has to tackle the atrophying culture of reading. But ANA has better days ahead. Someone should call Teju Cole because history is about to be contested: a Mamman Vatsa Writers’ Village is going to be built to immortalise the pen-comrade who fell by the hands of evil men.
Before the ‘shooting-devil’ at 45:35 (when the person behind the camera starts to be careless) the director, too, begins his own kind of creative carelessness: 38:00 to 45:00 and so on. the ANA story here is about the bewailing of the reading culture, the debate of the death or life of the book or libraries and about funding. The soundtrack seems out of sync, sounding more apposite for a clip where a scientist is studying the progress of a specimen in a lab, or reminding you of the underwater soundtracks in Nat Geo Wild, or even something to take you to the site of some ancient shrine. At 44:21, too otherworldly eliciting the wrong effect from the viewer. Not even when Mabel Segun gives the description of a piece of land property owned by ANA in Abuja as resembling paradise, the soundtrack again, too intense, relegates her rendition to the background causing an internecine effect. But the viewer is saved some minutes later.
Done in memory of Chinua Achebe, it features clips from Dike Chukwumerije’s Made In Nigeria (2017) show, courtesy of Box Office Studios, with the artist of the same name doing a tributary at the beginning and end – as the credits disappear at the edge of the pixels – of the documentary.
Doing just more than a cameo in the documentary includes, again, Dike Chukwumerije, Su’eddie Vershima Agema, Richard Ali, Khalid Imam, Charry Ada Onwu, Lola Bala Gbogbo and Ado Dangidan Dabino, a guy who speaks only his language. Save for a few peccadillos here and there the director, Tee Jay Dan, has done his best, so far as one can tell, earning a B with or without a plus, I leave the viewer the verdict.
After 52 minutes of screenplay Mabel Segun tells the viewer ‘ANA will live forever.’
PS: The documentary shall be premiered later this year (2017)
Carl Terver is a porer of the English sentence and a critic of pop-culture. He likes to think of himself as an imaginary grandmaster. He is a fan of contemporary writers, Oris Aigbokhaevbolo, Adam Gopnik, Hua Hsu and Teju Cole.He is a critic at Praxis. @CarlTerver on Twitter.
It is here again; the popular ANA Literary Prizes. For a time to claim serious bragging rights, join a league of awesome hall of famers (that I am a part of, whoop whoop!), here are the details that you should either pass along or use. Note that the time to act starts NOW! Okay, here we go:
The Association of Nigerian Authors [ANA] hereby announces a range of prizes for its 2017 literary competitions. The prizes are:
1. ANA Prize for Poetry (published & unpublished) – N 100,000
2. ANA Prize for Prose Fiction (published & unpublished) – N 100,000
3. ANA Prize for Drama (published & unpublished) – N 100,000
4. ANA Prize for Children’s Literature- 7-13 years age range (Published works only and open to all categories of authors )- N100,0000
5. ANA/ Abubakar Gimba Prize for Fiction (Short Stories Collection-Published) – N200, 000.
6. ANA/Maria Ajima Prize for Literary Criticism (Focus on criticism of emergent Nigerian Literature) – N100, 000
Nigerian writers, at home and abroad, desirous of entering their works for the Annual Literary Prizes, may now do so. Works entered should have been published between March 2016 and March 2017.
1. An entry fee of N3, 000 (per entry) is required for all the prizes except the Teen Authors Prize. The fee is to be paid by the author or the publisher in favour of the:
ACCOUNT NAME: Association of Nigerian Authors(ANA)
BANK: Zenith Bank of Nigeria Plc
ACCOUNT NO: 1014606745
[a] The entry fee is for the purpose of prize administration only.
[b] A photocopy of the appropriate Deposit Slip[s] MUST accompany Requirement #2 below.
2. Six copies (6) of the book or manuscript to be entered, specifying the Prize being entered for, alongside a covering letter and the photocopy of the Deposit Slip used in Requirement 1 above, should be sent by post to:
The General Secretary,
Association of Nigerian Authors (ANA),
Entrance B, Suite 63
National Theatre Complex,
The covering letter should contain accurate contact details of the writer or/and publisher of the work, including email and surface mail addresses and telephone numbers.
Please, note also that:
[a] The Association will NOT take responsibility for entries sent by post nor will it claim registered parcels in cases where it has to pay for such entries or parcels.
[b] Multiple entries, where applicable, are allowed but a work must not have been entered for the same prize prior to the present entry and it must have been published between 2016 and 2017.
The works that are to be submitted in all categories should be original and not recast(s) of already existing works. All submissions are subjected to copyright laws of Nigeria as authors should note that they retain full responsibility for any sort of infringement. Works entered into for ANA prizes are expected to be of the highest language and literary quality.
(b) Maria Ajima Prize for Literary Criticism (published works only)
Length: Not more than 15 pages of A4 paper size following format of academic essays.
1. Type double spaced using MS Word. Use Times New Roman Type face 12 point font size.
2. The essay, if published in a journal, newspaper, books or as electronic text on-line, must be within the valid dates indicated on this call for submissions.
3. Referencing style is either the latest MLA or APA style.
4. Five hard copies as loose sheets or as a bound monograph are to be submitted to ANA, plus a soft copy sent by email to firstname.lastname@example.org and email@example.com
6. The essay should not be a generalized survey but should rather be focused on specific texts (in any of the genres) of selected authors at a time.
7. The essay should state where the texts or performance analysed can be accessed or located and where it (essay) has been published.
8. All entries in this category should be accompanied by a letter affirming the originality of the essay and authorial authenticity.
9. In addition, all other rules covering ANA competitions are applicable.
Copyright: The copyright to every winning entry is to be held by the Association of Nigerian Authors (ANA), Maria Ajima Trust, and the author of the work. The winning entry will be published in subsequent ANA Reviews.
Deadline for the receipt of ALL entries is Friday, May 19th, 2017(there will be no extension of this deadline). A shortlist will be announced in September, 2017. Winners of the prizes will be announced by the judges at the Awards Dinner during the 36th Anniversary International Annual Convention of the Association of Nigerian Authors in October, 2017.
Ofonime Inyang, PhD
BEST OF LUCK!
Okay, maybe you have heard it or you are hearing it here first. Check everywhere and make a shout for Abubakar Adam Ibrahim has won the $100,000 NLNG Prize for Literature for his novel, Season of Crimson Blossoms. Yaaaaay! He clinched the prize ahead of his literary twin, Elnathan John (with Born on a Tuesday) and Chika Unigwe’s Night Dancer. We saw it coming! Matter of fact, when we got the news, Belle and I tried to make Abubakar to give us our share – or promise to do so when he collected the cheque but the guy has sense too much!
In 2013, while going for the Association of Nigerian Authors’ convention grand dinner, Abubakar and I discussed his travel writings (which I love best of his writings) and Chika Unigwe, who had been announced as the NLNG Winner for that year with her On Black Sister’s Street. Now, it is the turn of the literary Mallam to wear that crown.
It has been a fine year for the gentleman who was announced the 2016 Goethe Institut & Sylt Foundation African Writers’ Residency. He was also announced as the Chairman of the 2016 Etisalat Prize for Flash Fiction.
Abubakar Adam Ibrahim is one of Nigeria’s foremost literary journalists and a committed writers + arts enthusiast who never tires to promote writing in every form. He is also the author of the celebrated collection of short stories, Whispering Trees. You can read more about him here or visit his blog here.
Congratulations Abubakar. And may this season truly be yours!
The Judges of the Association of Nigerian Authors Literary Prizes are pleased to release the short list for the 2015 ANA Prizes. The names and titles are listed below in no particular order.
ANA PROSE FICTION PRIZE
- Avenger of Blood – Franklin Finecountry
2. On the Bank of the River – Ifeoluwapo Adeniyi –
3. Prodigals in Paradise– Henry Akubuiro
4. Odufa: A Lovers’ Tale – Othuke Ominiabohs –
ANA DRAMA PRIZE
- Kosoko King of Eko – Fela Omoyele
- Sacking the Porter- OlatundeBolaji
- Fated Rift – R.C. Ofodile
ANA POETRY PRIZE
- Thunder Protocol – Obari Gomba
- Kontradiction -Saddiq Dzukogi
- The Birth of Illusion -Jumoke Verissimo
ANA/ ABUBAKAR GIMBA PRIZE FOR SHORT STORIES
- River People and Other Stories – Peter Ukwa
- Midnight Cry – Paul Ugah
- From Sin to Splendour- – R. C. Ofodile
The ANA / Ngozi Chuma Udeh Prize for Children’s Literature
- The Quest for the Gem of Arubia – Augusta Mmakamba Okon
- Sunny and the Arodan – Ozimede Sunny Ekhaalume
- Water-Carrier Millionaire– Philip Begho.
ANA/ MAZARRIYA TEEN AUTHOR POETRY PRIZE
Not Awarded(reasons to be given later)
ANA/NECO TEEN AUTHOR PROSE PRIZE
Not Awarded(reasons to be given later)
ANA/MARIA AJIMA PRIZE FOR LITERARY CRITICISM
- “The Film Script, Nollywood and Cultural Diplomacy: Criticism of Artist’s Knowledge of the Film Story.” by Nwagbo Pat Obi (for Honorable Mention only)
ANA PANEL OF JUDGES
1. Prof Nelson Fashina-University of Ibadan
2. Mallam Salihu Mohammed Bappa- Ahmadu Bello University Zaria
3. Ismaila Bala Garba- Bayero University,Kano
4. Dr Owojecho Omoha- University of Abuja
5. Mrs Joan Oji- Educational Resource Centre, Abuja
# Winners of the various prizes will be announced at the awards dinner of the 35th Anniversary International Convention of the Association coming on Saturday the 29th of October,2016 in Abuja.
Signed: Olatunbosun Taofeek
Publicity Secretary( South)
Gotten from the ANA Website Here.
In collaboration with the Association of Nigerian Authors (Benue State Chapter), it is our pleasure to release the collection of short stories, A Basket of Tales – Benue ANA Anthology…
The collection is made of twenty-five exciting short stories from award winning, emerging and intriguing writers including Unoma Azuah, Hyginus Ekwuazi, Maria Ajima, Pever X, Iquo Eke, Sibbyl Whyte, Victor Olugbemiro, Jennifer Emelife, Myles Ojabo, Agatha Aduro, Enajite Efemuaye, Aondosoo Labe, Joshua Agbo and Kenechi Uzor. The stories cover a lot of grounds from humour to thriller, magical fantasy to realism…etc. There’s a slice of something for everyone.
A Basket of Tales is an anniversary project of the current Association of Nigerian Authors (Benue State Chapter) Executive Committee of the association led by Su’eddie Vershima Agema in collaboration with SEVHAGE Publishers and SEVHAGE Literary and Development Initiative. It the first of a series of quality e-books of literature covering various…
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